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< Back Eugene Ramos Agent: Brant Rose/Toochis Rose, Brant Rose Agency - brose@brantroseagency.com / trose@brantroseagency.com 323-460-6464 Coverfly Eugene Ramos was born and raised in the Chicago area by immigrants from the Philippines who wanted him to follow their footsteps into the medical field. After devouring countless Shakespeare plays, he instead earned a degree in 16th-century British Literature from Northwestern University to the dismay of his parents. Still wanting to win his parents’ affections, he chose to go to an Ivy League institution for film school and graduated with an MFA in Film from Columbia University. Since then, Eugene has participated in several prestigious programs, including the Humanitas New Voices program, the CAPE New Writers Fellowship, Film Independent’s Project Involve, and the Clarion Science Fiction Writers' Workshop. His Isaac Newton romantic-comedy script, NEWTON’S LAWS OF EMOTION, won the Sloan Filmmaker Prize at the Tribeca Film Fest and a Gold Prize in the PAGE Awards. He also co-wrote a number of award-winning shorts, including DANDELION FALL (dir. Lauren Wolkstein) and THEY CHARGE FOR THE SUN (dir. Terence Nance), which was nominated for a Humanitas Prize and garnered a “That’s nice” from his mom. Eugene is currently a staff writer on the Netflix animated series, THE DRAGON PRINCE. Because of his love for the Bard and science fiction, Eugene hopes to one day get a tattoo that says, “The Sci-Fi Shakespeare Guy.” (He won’t say where, but it won’t be anywhere his parents can see.) Honors & Awards Published Short Story - THE CHEEZHEAD (aka THE FANTASY FOOTBALL FAN'S TALE) - 2022 Nomination for Best Writing (Podcasts), The Webby Awards - THE ONLY PODCAST LEFT - 2020 The CAPE List - I’M NOT PHIL - 2019 non-WGA Male, BIPOC, Asian, Southeast Asian/Pacific Islander, Multi-Ethnic, 40+ NEWTON’S LAWS OF EMOTION (Romantic comedy - SHAKESPEARE IN LOVE meets THE THEORY OF EVERYTHING) When a young Isaac Newton falls for a headstrong princess, he seeks to understand the principles of love using a new kind of mathematics. After many trials and errors, however, Newton realizes that falling in love isn't a matter of calculus, it's chemistry. SONS OF WITCHES (One-hour urban fantasy drama - SUPERNATURAL meets KUNG FU) A trio of Asian-American men – all sons of witches – must take over the family business of fighting supernatural evil after their mothers are murdered. Unfortunately, they have no powers … except for Cal, a schizophrenic who may be the first male witch in centuries. A COVEN OF THIEVES ( One-hour urban fantasy drama - CHARMED meets POINT BREAK) A rock band of witches recruits a new singer to help them steal supernatural artifacts from those who would use them for nefarious purposes. BIPOC-centric, Science, Romantic, Sci-Fi, Fantasy, Historical/Alternative History, Animation, Magical Realism Male, BIPOC, Asian, Southeast Asian/Pacific Islander, Multi-Ethnic, 40+ repped

< Back Dana Braziel-Solovy dana.braziel@gmail.com https://www.danabrazielsolovy.com As a former Chicago punk rocker, Dana knows how to rebel but promises only to do so for good. Through properly timed, insensitive jokes, she hopes to help people see the world differently. Dana believes strongly in interpersonal understanding, which is why she spent time in Berlin studying German and continues to learn the silent language of circus arts. Having grown up with a suicidal mother, Dana knows the importance of safe forms of escapism. Her writing seeks to lessen pain through laughter. Dana's first foray, a comic book mini-series, landed her on the Diamond indie bestsellers list twice. To support her compulsive writing habits, Dana works as a television Art Director with credits on shows such as CSI: VEGAS and WANDAVISION. Honors & Awards Semifinalist, ScreenCraft Screenwriting Fellowship - NO GIRLS IN THE GANG - 2023 Women in Film Mentee , 2022 non-WGA Female, LGBTQ+ GOOGIE'S (Half-Hour Comedy) It's the 1950s and the top waitress at Googie’s iconic diner lands the audition of a lifetime. Now she must race against the clock to whip a scatterbrained but endearing new hire into shape so she can leave in time to make her big break. NO GIRLS IN THE GANG (Half-Hour Comedy) After being bullied by her judgy suburban peers, a misunderstood 2000s high-schooler seeks acceptance from a punk rock gang in the city and tries everything to become the first girl in the gang. Inspired by a true story. MURDER CLUB (Half-Hour Dark Comedy) When one of six bonded serial killers gets arrested, the remaining members must recruit a new murderer to their crew without drawing any attention from the authorities. Character-driven, Female-centric, Dark, Snarky, Magical Realism Female, LGBTQ+ unrepped

< Back Pepper Reed Pepperreed@me.com https://www.imdb.com/name/nm4213808/?ref_=ext_shr_lnk Coverfly Pepper Reed grew up devouring books sitting atop one of the turrets of the playhouse her dad built for her. She uses genre tropes as metaphors, inviting the audience to connect with people marked as “the other” who are trying to find their place in the unexpected worlds. Originally from Oklahoma, Pepper received her BFA from New York University & has directed short films, plays, & music videos. She also regularly wears historically inspired fashion that she sews herself. Honors & Awards Finalist, NBC Writers on the Verge - INNOCENT BLOOD - 2019 Semifinalist, ScreenCraft Screenwriting Fellowship - INNOCENT BLOOD - 2020 Quarterfinalist, Final Draft Big Break - GIRL ANACHRONISM - 2023 Non-WGA Female, 40+, LGBTQ INNOCENT BLOOD (Supernatural YA TV Drama - Riverdale meets The Vampire Diaries) A young vampire struggles with her opposing desires to find the biological family she was kidnapped from as an infant and her adoptive family’s mission to rescue other vampires like themselves. THE CURIOUS HAUNTING OF GEORGIE PRICE Family TV Drama with Ghosts - Gilmore Girls meets Ghost Whisperer After the death of her younger brother a woman gets the opportunity to go after her dreams; however, his ghost decides to go after his own aspirations and to help her to learn how to live. FIRST TO DIE Queer Zombie Roadtrip Feature - Bottoms meets Zombieland When a zombie outbreak descends on Los Angeles on Christmas Day, a former survivalist does whatever is necessary to get herself and her friends out of the city. Character-driven, Female-centric, Queer, Sci-Fi, Fantasy, Historical/Alternative History, YA, Magical Realism Female, 40+, LGBTQ unrepped

< Back Garret Williams garretwilliams@hotmail.com 323-854-1893 https://pro.imdb.com/name/nm0930621 Born and raised in Minneapolis, Garret began making short films in college before attending the American Film Institute's Master's program. His feature SPARK (writer/director), starring Terrence Howard and Nicole Ari Parker, was a Sundance Filmmakers Lab project. It premiered at the Sundance Film Festival and went on to Berlin (Berlinale) and many others around the world. Garret won Best Director at the Urbanworld Film Festival. Multiple film organizations have supported Garret’s screenplays. HYENAS was a Sundance Screenwriters Lab project. MUDPUPPY was a Film Independent Screenwriters Lab Project, was selected for Tribeca All Access, and was optioned by Sly Dog films. His screenplay LOST DOG was chosen for the Film Independent Screenwriters and Directors Labs, was a Fast Track project at the LA Film Festival, and was nominated for Best Screenplay and the Gordon Parks Award at the IFP Film Market. LOST DOG was also selected for the WGA Feature Writer's Access Project. Garret’s work as a Writer/Director/Producer of shorts screened at SXSW (THE RISE), New Directors/New Films at the MOMA & Sundance(Short SPARK), and a long list of festivals, domestic and international, earning multiple awards. His shorts (SPARK and BB GUN) aired on Showtime Networks. He is a member of the DGA and is a Sundance Institute Fellow, Film Independent Fellow, and Tribeca Film Institute Fellow. Garret serves as an Adjunct Professor at Occidental College, teaching Advanced Screenwriting. non-WGA Male, BIPOC, Black, Multi-Ethnic LOST DOG (Dramatic Thriller) Lost Dog is a character-driven thriller, set in 90s Minneapolis, about a black, jaded, Animal Control Officer and his young trainee, as they follow the twisted trail of a racist serial dog abuser and killer. MUDPUPPY (Dark Comedy) A brown comedy about a lost and lonely man who finds love in the toilet. Character-driven, BIPOC-centric, Crime, Thriller, Sci-Fi, Limited Series, Dark, Naturalistic Male, BIPOC, Black, Multi-Ethnic unrepped

The Top 20 screenplays & TV pilots written by IWC members within the last year. The IWC Best Of List, 2025 A list of the Top 20 screenplays and pilots written by IWC Members within the last year. Scroll through the list below, or download it here .

The Independent Writers' Caucus is a collaborative group of emerging, professional screenwriters - working together to create an infrastructure of opportunity for each other. Your Next Great Project Begins with an IWC Writer About Us The Independent Writers' Caucus was founded in January of 2022 following the dissolution of the Writers Guild of America (West) Caucuses. The program was a way to integrate writers into the Guild and help prepare them for full membership. Over 150 vetted, professional writers found each other and fashioned its own powerful infrastructure to create opportunities for their collective membership. From those passionate beginnings, the Independent Writers' Caucus was born. Our membership is notably diverse - with over half of the Caucus identifying as female, a quarter as LGBTQ+, some as veterans, neurodiverse, disabled, First People, Middle Eastern, Latinx, AAPI, African-American, immigrant, multi-ethnic and more. Our diversity serves the mandates of ever-expanding, modern writers' rooms. We are professional, motivated, inspired storytellers with a cache of materials - ready to help bring story to life in the world. Contact Us First Name Last Name Email Address Message Submit Thanks for your message! The 2024 window for New Member Applications has closed. Application for membership will reopen in Fall 2025. Thank you for your interest. Members Only Access

The Independent Writers' Caucus is guided in its efforts to lead its membership into eligibility with the Writers Guild of America by its leadership - which includes the guidance of the Board. The Board is comprised of Howard A. Rodman, Meg LeFauve, Lorien McKenna, Nitza Wilon, Elizabeth Kaiden (of The Writers Lab), Garrick Dion and AJ Feuerman. Independent Writers' Caucus Chairs and Board Members IWC Chairs - 2025 Our Chairs are members of the IWC whose leadership helps elevate all of our members and bring opportunity to the organization James Moorer James, one of the newest co-chairs to serve with the IWC brings the same passion for helping he created while working for Roadmap Writers. James proudly serves on several committes including Diversity and New Membership. James is also a champion for writers with disabilities and helping writers understand the business of screenwriting. Kimberley Sparks Kim has been a member of the IWC since the organization’s inception, and she became a Chair in 2023. She is happy to serve on the Script Challenge, Meet and Greet, and New Members committees. She is dedicated to helping writers of film, television, and video games develop and further their careers Kim Turner Kim has been a Chair since the IWC's inception in 2021. She is proud to serve in Leadership as well as a member of the Marketing/PR/Merchandise; Finance; Best of the IWC; and New Membership committees. She is an engaged advocate for emerging writers and enjoys building relationships that help to bring opportunity to the group. Rich Orstad Rich joined IWC in 2024, volunteered for Finance Committee, and became Treasurer later that year as IWC pursues 501c7 non-profit status. Passionate about storytelling and helping others to do so, Rich brings this same passion to the future of IWC’s growth, outreach, and stability as Chair. IWC Board of Directors - 2025 Carolyn Kras is a Co-founding Member of the IWC and former Co-chair. She has developed projects for 20th TV Studio, Escape Artists, Welle, and more. Her awards include the Alfred P. Sloan First Place Screenwriting Award, Hamptons International Film Festival Screenwriters Lab, Visionary Playwright Award, New York Television Festival Official Selection, Plume & Pellicule Screenwriting Award, Middlebury Script Lab Selection, Hearst Creative Artist Fellowship, and a Fulbright to the United Kingdom. Carolyn Kras AJ Feuerman AJ FEUERMAN is a PR and social media executive representing a diverse client roster across the entertainment industry. AJ founded @ajfeuerman Communications in January 2018; clients have included agencies (i.e., Rogers & Cowan PMK), indie studios and distributors (Gravitas, Freestyle, VMI), podcasts and individual talent, among others. As Valhalla Entertainment’s VP of Publicity and Marketing, she directed all publicity, social media and marketing efforts for the industry stalwart, best known for titles like The Terminator, The Abyss and “The Walking Dead.” AJ was previously VP of Communications at influencer marketing agency QYOU and was the Director of PR and Social Media for global film distributor, Gravitas Ventures. Elizabeth co-founded The Writers Lab with Nitza Wilon in 2015, and they co-produce the flagship international lab based in New York, plus labs in the UK, Europe, Canada, in addition to global virtual programming for audiences in Africa, Australia and more. Elizabeth is also a founding Partner, with Nitza, of Women in the Script Trade (WIST), where she works individually with exceptional women screenwriters. WIST developed and ran the Athena Screenwriting Labs alongside the Athena FIlm Festival from 2016 to 2019. Elizabeth previously served as Head of Development at Tangerine Entertainment, an independent production company that produces films directed by women, and has mentored at Stowe Story Labs. A former theater and film critic and graduate of Princeton and the Yale School of Drama, she lives in New York with her family. Elizabeth Kaiden Nitza Wilon Nitza co-founded The Writers Lab with Elizabeth Kaiden in 2015, and they co-produce the flagship international lab based in New York, plus labs in the UK, Europe, Canada, in addition to global virtual programming for audiences in Africa, Australia and more. Nitza is also a founding Partner, with Elizabeth, of Women in the Script Trade (WIST), where she works individually with exceptional women screenwriters. WIST developed and ran the Athena Screenwriting Labs alongside the Athena FIlm Festival from 2016 to 2019. Prior to committing to script development for women, Nitza was an actor, journalist, and magazine and book editor. She earned her BA from the Annenberg School of Communications at UPenn. In addition to her work advocating for women in film, Nitza is a writer and voice actor. She lives in New York City with her family. Lorien McKenna Lorien McKenna is an Emmy-nominated and NAACP Image Award-winning writer. As a Story Manager at Pixar Animation Studios, Lorien worked on UP, BRAVE, INSIDE OUT, and THE GOOD DINOSAUR . She was the Development Producer on several animated features at Paramount Animation and was the Co-Executive Producer for CURIOUS GEORGE for the TV series and animated feature films. She has written and developed for platforms including NBC, Hulu, Comedy Central, and Netflix. Lorien has also worked on multiple projects for the CGI media based attraction studio Red Raion, and as a script editor for Screen Australia, Screen Queensland, and Screen Ireland. Recently, she was the Showrunner for the Emmy-winning YouTube/Kids at Play preschool show TAB TIME . A mentor for the Cinestory Foundation and the Nostos Screenwriting Retreats, Lorien also served as an adjunct professor for St. Mary’s College of California, where she received her BA and MFA. Meg LeFauve An Oscar Nominated writer, Meg LeFauve won an Annie Award for writing Pixar’s blockbuster Inside Out and its sequel, Inside Out 2 . She also wrote Pixar’s Golden Globe nominated film “The Good Dinosaur” and was a writer on Marvel’s “Captain Marvel.” She adapted the classic book “My Father’s Dragon” for Netflix and Cartoon Saloon in 2022. She began her career running Jodie Foster’s Egg Pictures , developing and producing films nominated for an Emmy, a Golden Globe, a Spirit Award and she won a Peabody Award. A world wide consultant, she has taught at AFI and UCLA Graduate Film School, and is a returning mentor at The Writer’s Lab (sponsored by Meryl Streep), the Sundance Creative Labs and is a mentor and Board Member of the CineStory Script Sessions . Garrick Dion is a former VP of Development at Brön, following an 8-year run in a similar role with Bold Films. At Bold, Garrick was involved with such acclaimed projects as Damien Chazelle's Sundance Grand Jury Prize-winning drama Whiplash; Nicholas Winding Refn's Drive; the coming-of-age drama Middle of Nowhere starring Anton Yelchin and Susan Sarandon; Sony Pictures' sci-fi sequel Starship Troopers: Marauder , and Lost River , the forthcoming directorial debut of actor Ryan Gosling. He has overseen a slate of projects that includes Robert Rodriguez's live-action remake of Ralph Bakshi & Frank Frazetta's Fire and Ice; and screenwriter Dan Gilroy's directorial debut Nightcrawler starring Jake Gyllenhaal. Prior to joining Bold, he worked in feature development for producers Joel Silver (The Matrix ) and Denise DiNovi (Batman). Garrick Dion Howard A. Rodman Howard A. Rodman is a screenwriter, author and educator. He is the former President of the Writers Guild of America, West; professor and former chair of the writing division at the USC School of Cinematic Arts; and an artistic director of the Sundance Institute Screenwriting Labs. Rodman is a Governor of the Academy of Motion Picture Arts and Sciences. He is a member of the National Film Preservation Board, which advises Librarian of Congress on the annual selection of films to the National Film Registry, and on national film preservation planning policy. He also serves on the Brown University President’s Advisory Council on the Arts. AJ Feuerman Elizabeth Kaiden Nitza Wilon