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< Back Anne Toole thewritetoole@gmail.com https://writingiswriting.wordpress.com/ Writers Guild Award-winning writer Anne Toole has written for live-action series, games, animation, comics, and more. Her work currently appears in Netflix's DANIEL SPELLBOUND and the action-comedy series CANNON BUSTERS. Previously, she wrote for GHOST OF TSUSHIMA: DIRECTOR'S CUT and for WOMEN OF MARVEL #1 . She also wrote for DAYS OF OUR LIVES, contributed to the Emmy-winning short-form dramedy THE LIZZIE BENNET DIARIES, and created the hundred-episode dramedy ALLES LIEBE, ANNETTE for the German market. Anne's credits include THE WITCHER game, the HORIZON ZERO DAWN games and comics, and ASSASSIN'S CREED ORIGINS. She has spoken extensively on storytelling across platforms at South by Southwest and Comic-con International as well as in presentations at MIT, Harvard, and Cannes. A citizen of Ireland as well as the US, Anne holds a degree in Archaeology from Harvard. Honors & Awards Golden Joystick Award, Narrative - DAYS GONE - 2022 Writers Guild Award Winner - HORIZON ZERO DAWN - 2018 non-WGA Female UNMOVED MOVER (Period sci-fi short story) Professor Challenger enlists an old friend to find the source of a mysterious sound, while still reeling from the loss of his son in the Great War. WITNESSES (Legal procedural pilot) A disbarred attorney seeks redemption by assembling a team of expert witnesses, but his integrity immediately comes into question on their very first case. Queer, Crime, Procedural, Romantic, Sci-Fi, Fantasy, Historical/Alternative History, Animation Female unrepped

< Back Catherine Vouvray cathvouvray@gmail.com http://commelevin.com Coverfly Catherine Vouvray grew up gay in God’s country – the bible belt South – fearing for her life at home with mentally ill parents and out in the rural world, where those in the LGBTQIA+ community were killed for sport. Education saved her life, but writing saved her soul. Her work is focused on empathy, relationships, mental health, and finding the funny in dark times. A published short story writer and produced writer/director, Vouvray’s mission is to add to queer cinema while often placing older (gasp!) women at the epicenter of stories ranging from comedy to drama, to rom-com, to family, and finally, to animation. Oh, and yes, she also writes straight stuff for the youth. Vouvray is in post-production on her first independent feature film, All Wounds , which apparently needs a new title because it isn't a horror. Her influences include Waller-Bridges, Sciamma, Gaudagnino, and Manuel-Miranda. When not indulging in filmmaking, Vouvray writes novels, including The Months of Payne. Catherine is currently a proud fellow of the Michener Center for Writers. Honors & Awards Universal Global Talent Development & Inclusion - Semifinalist - LES GO! - 2021 non-WGA Female, LGBTQ+, 40+ LES GO! Lesbian rom-com After using a lesbian-dating app to research a new role and accidentally meeting Ms. Right, a lonely, middle-aged movie star must redefine what love and career mean to her before she loses both. AUTHOR OF THE EPILOGUE romantic dramedy An elderly woman journeys home to England with her husband's ghost to reconnect with the love she left behind--a woman--before her son puts her in a nursing home. CODENAME: MAME 1/2 hour TV spy comedy An insular, sexy, sixty-year-old spy forced into retirement secretly continues targeting an international crime syndicate who then comes after her and her first-ever friends in the retirement community where she's gone undercover. Character-driven, Female-centric, Queer, Romantic, Historical/Alternative History, International Female, LGBTQ+, 40+ unrepped

< Back Jude Roth 1juderoth@gmail.com 310.621.1697 http://www.juderoth.com After spending time at the Berkshire County jail where her mother was Deputy Sheriff, tween Jude started a diary with this entry: “Last night I had my first dance (to Jingle Bell Rock) with a boy, an inmate at the jail’s Christmas party. His name is Smitty, he starts fires, and mom says he escaped.” Instead of joining the hunt for him (or hiding), Jude began exorcising her bemusement and bewilderment at life by writing personal, character-driven stories often set against big-world backdrops. Jude's a graduate of NYU Tisch School of the Arts and is an award-winning TV/feature drama writer. As an indie filmmaker, she wrote and EP’d a scripted drama about an undocumented day laborer that PBS and Latino Public Broadcasting acquired (twice). She's also won “Best Screenplay” at La Femme Int'l Film Festival and has had TV pilots featured on The Black List, The Black List Disability List, and WeForShe WriteHer List, the latter annually featuring 20 unproduced pilots selected from hundreds of nominations from industry executives and creatives. She's one of only 6 writers chosen for the 2019 Black List-Women in Film Episodic Lab, was a finalist for the HUMANITAS New Voices in TV award, and is a two-time semifinalist for the Sundance Episodic Lab. Her scripts have advanced in contests such as Austin Film Festival (semifinalist), Writers Lab supported by Meryl Streep (semifinalist), PAGE (top 10), Writers Network/Fade In (8 quarterfinalist projects in one year), Slamdance (top 25), and Cinestory (semifinalist). Fate also once thrust her into working in TV development at Skydance Media where she got to partake in how the proverbial sausage is made - and it was amazing (thanks, Fate!): The team there loves writers and it rocked. To relax, Jude eats pizza all over LA, practices her baseball pitching skills (just in case she gets called up by the Red Sox or Dodgers one day), pets every dog she can, and worships at the altar of "Niles" in FRASIER reruns. Honors & Awards Black List-Women in Film Episodic Lab - HOMEFRONT - 2019 WeForShe WriteHer List - SINS OF THE FATHER - 2018 Audible Development - Finalist - THE STING - 2021 non-WGA Female THE ASSETS (Spy thriller) After China executes dozens of CIA assets on Chinese soil, a reinstated CIA officer puts a dangerous revenge plan into action as her colleague's crisis of conscience threatens to bring her, the plan, and the Agency down. HOMEFRONT (Drama) Struggling to salvage their post-military lives in America’s south, four very different women combat veterans turn to each other for support they can’t find elsewhere. But when the most vulnerable among them gets into serious trouble, the new friends close ranks to help her – risking their public and private lives. SINS OF THE FATHER (Geopolitical thriller) A U.N. human rights worker discovers the truth about her beloved father's deadly identity and sets out to right the crimes he committed. Character-driven, Female-centric, Thriller Female unrepped

< Back Jibreel Turner jibreel.turner@gmail.com James Moorer, One Moorer Media & Management As an optioned and repped writer Jibreel Turner writes stories about heroes dealing with tremendous external pressures. Based in Los Angeles and half of a writing duo, they focus on protagonists who must stay grounded to fulfill their inherent responsibilities usually involving family and relationships. As a devoted single dad, he writes gritty TV and Features about strong-willed intelligent fathers with a moral compass, taking drastic measures and creative steps to achieve their goals. Jibreel's experience as a disabled combat veteran from Philly allows his stories to speak not just to the multifaceted black experience, but the greater humanity that resonates in us all. Honors & Awards GREEN OR GO: CHASING THE HOLLYWOOD DREAM Docuseries (Writer, Director, Producer) - In Post Production. THE PRYOR ENGAGEMENTS Feature Optioned by Tecknology Enterprises - 1/2024 Stage 32 - THE HARD WAY - TV Pilot Top 1% included in the “Best of Stage 32” Lookbook (2022). non-WGA Male, Black, Disabled, 40+ FAMILY OVER EVERYTHING TV Drama - POWER meets THE SOPRANOS \After his rap phenom little brother is murdered due to his involvement with a criminally financed record label, a streetwise single dad from the Bronx and his daughter are forced into witness protection in Cleveland, to unravel what led to his brother’s death. THE HARD WAY One-Hour [Serialized] TV | Sports / Period Drama | Basic Cable - HEELS meets ENTOURAGE It’s 1985 and a small-town wrestling prodigy must fight his way to the top of the biggest league in America while dodging the pitfalls of stardom in order to care for his sick mother and pregnant girlfriend at home. THE KANDAHAR PROJECT (Working Title) Feature Sci-Fi, Horror, Military Drama - LONE SURVIVOR meets TRAIN TO BUSAN When a highly skilled Recon team becomes trapped in a labyrinth of Afghanistan caves they must confront a mythical tribe of giants in order to make it out alive. Character-driven, Crime, Thriller, Sci-Fi, Psychological, Horror, Dark, International Male, Black, Disabled, 40+ repped

< Back Brandy N. Carie brandyncarie@gmail.com http://www.brandyncarie.com Coverfly Brandy N. Carie is a playwright, screenwriter, and director from Minnesota who writes about what happens when nice girls get mad. Her furious abortion-themed horror flick BABY won the 2024 Athena Film Festival Abortion Pipeline Project, was featured on the Dead List, and is a Moonshot Feature Accelerator Semi-Finalist. Carie is a Playwrights’ Center Core Writer and a winner of the 2019 Kennedy Center ACTF Steinberg Playwriting Award and the Sloan/CMU Screenwriting Competition. Her work for the stage often intersects with the digital: her immersive opera THE BEGINNING OF EVERYTHING: A LOVE STORY was released as an animated short by New Opera West, and her collection of short puppet plays adapting Jane Austen’s oeuvre, ABRUPTLY, AUSTEN, was produced with D.T. Burns as a web series. Carie’s playwriting has been supported by numerous theaters and residencies, including Barter Theater, Actors Theatre of Louisville, SPACE on Ryder Farm, and the Edward Albee Foundation. Recently, Carie’s apocalyptic stage play TOMORROW GAME was published by Samuel French. MFA, Carnegie Mellon University. Honors & Awards Winner, Athena Abortion Pipeline Project - BABY - 2024 Official Selection, Dead List - BABY - 2024 First Place, Sloan/CMU Screenplay Competition - LOVE, GENOME - 2019 non-WGA Female, LGBTQ+ BABY Body Horror Feature - MISERY meets MIDSOMMAR While recovering at an isolated cabin, a traumatized teacher desperately pursues an abortion amidst paranoia that her boyfriend is trying to trap her. When suspicion turns to certainty she becomes reckless, aiming to regain control of her body — or die trying. SPIDER HOUSE!!! Body Horror Feature / Creature Feature - ARACHNOPHOBIA meets THE FLY When a cash strapped couple buys a spider-infested fixer-upper, they take extreme measures to save the house that is trying to destroy them. Will the affordable housing keep these Millennials together? Or will the spiders tear them apart? LEGEND OF A WEIRD GIRL Horror Dramedy / hour long - CHILLING ADVENTURES OF SABRINA meets MIDNIGHT MASS After a sheltered Lutheran purity girl is bitten by a werewolf, she tries to figure out if her symptoms are puberty or lycanthropy, desperate to control her body before it derails her quest to upgrade her nerdy image. Character-driven, Female-centric, Queer, Thriller, Horror, Dark Female, LGBTQ+ unrepped

< Back Scott Sanford Tobis blankcanvas@gmail.com Attorney: David Harris - 925.858.6876 https://www.imdb.com/name/nm0864975/ Scott Sanford Tobis is a screenwriter, journalist and award nominated playwright (an honor he proudly lost to the late Ray Bradbury). In addition to writing for film and television (Twice Upon A Christmas, Desperate Housewives, Muggers, The Roast of Paul Hogan, and more), he crafts articles for numerous magazines and websites, co-wrote The Desperate Housewives Cookbook. Frivolous, his "deeply silly" half-hour comedy about the legal system, is in development and he's currently crafting a vaguely-autobiographical (a term he just invented) TV series, Unmoored. He is endlessly fascinated by the human condition and remains cautiously optimistic in a world that doesn't exactly engender optimism at the moment. That said, he is fully optimistic that he can be reached at blankcanvas@gmail.com. Honors & Awards Page International Quarterfinalist - THE NEW BLOOD - 2019 LA Weekly Theatre Awards - THE STAR OF MONEY - BEST ONE ACT PLAY non-WGA Male, Over 40 FRIVOLOUS Half-hour comedy - Arrested Development, New Girl, Newsradio A deeply silly tale of a sweet boy - who accidentally discovers that he can make a living suing people for frivolous reasons and the impact it has on his life. CHEMISTRY Romantic Comedy After discovering proof of the genetic code for love, a female mathematician/researcher begins a search for her own soul mate and finds herself caught up in a romantic triangle; forcing her to choose between the logic that has dictated every aspect of her life and the longings of her heart. THE NEW BLOOD Thriller/Horror A brilliant grad student uses his not-fully-tested nanotechnology to save his dying fiancée. The nano-blood changes her from a caring social worker to a dangerous and seemingly indestructible creature. In the end, the man realizes that the woman he loves is the woman he will have to kill to stop the terror. Character-driven, Female-centric, Medical, Thriller, Romantic, Sci-Fi, Psychological, Satire Male, Over 40 unrepped

< Back Lisanne Sartor lisanne.sartor@me.com http://lisannesartor.com Lisanne Sartor gained early notoriety for: 1) Calling her fourth-grade teacher a female chauvinist for not letting girls play kickball (a clear outrage). 2) Teaching sex-ed seminars to her fifth-grade cohorts using Judy Blum’s FOREVER (how proud were her parents? Surprisingly, not very). 3) Calling her eighth-grade teacher a bitch for unfairly penalizing another student (While her principal shared her opinion, he told her she should keep such opinions to herself. Lesson not learned). Sartor’s outspoken nature led her to become a Los Angeles DGA assistant director (film and TV set middle management). After seven years, she had a bad back, nerve damage in her feet, and a Biblical appreciation for caffeine. She quit to write and direct. She has a UCLA Screenwriting MFA and has participated in such prestigious residencies and programs as Yaddo, Hedgebrook, Storyknife, the AFI Directing Workshop for Women, and the WGA Feature Writers Access Program. She’s won awards like the Samuel Goldwyn, the Script Pipeline First Look Project, and the Shore Scripts Feature Contest and has had a screenplay made into a Lifetime MOW. She’s also written and directed five award-winning short films that have screened in hundreds of worldwide festivals like Telluride and Cannes. She hones her writing skills by teaching at UCLA, The CineStory Foundation, Stephens, AFI, and Disney. She never looks back. non-WGA Female, 40+ SIX LETTER WORD (Feature Drama) A mom’s struggle to connect with her autistic son, repair her fraught relationship with her estranged mother, and navigate her son’s diagnosis with the help of a troubled neuropsychologist force her to come to terms with her own autism. FLATLANDER (Feature Thriller) A woman returns home to Vermont with her daughter to start anew following a separation from her adulterous husband, but a community member harboring decades-old resentment begins torturing her to enact revenge for a past loss. TESTED (Dramedy Pilot) After her husband suffers financial problems, a minister’s wife is forced to take a job notifying people they’ve been exposed to STDs. Though her first case starts out as straightforward gonorrhea notifications, she soon discovers that the case has spread like wildfire and the flames are burning down her front door. Character-driven, Female-centric, Crime, Thriller, Coming-of-Age, Dark Female, 40+ unrepped

< Back Diana Romero dianaromerowriter@gmail.com One Moorer Productions - James Moorer http://www.dianaromero.net After initially supporting at-risk youth in Hollywood as a social worker, Diana embarked on a journey of writing and producing film and television. Her firsthand encounters with incarcerated, runaway, and homeless adolescents fueled her passion for social justice. This commitment, coupled with her expertise in writing and production, led her to create the award-winning film Niña Quebrada, which dives into the realities of sex trafficking. Despite finding herself reliant on a wheelchair in 2018, Diana remained committed to her pursuit of creative expression. Transitioning into TV writing, she contributed to projects like CW’s 4400 and Freeform’s Good Trouble. She also wrote episodes of the web series, My Life is Worth Living. With a BA in social work from Whittier College and an MFA from the American Film Institute, Diana's approach is evident in her work. She has garnered acclaim through various fellowships, including the PGA's Power of Diversity Master Workshop and as a semi-finalist in the highly competitive Disney Writing Program, demonstrating her commitment to inclusivity and empowerment. Currently, Diana has written a solo show based on her experiences as a 1st generation American born in Kansas. The show will debut in 2025. Beyond her career, Diana finds joy in swimming, comedy, and playing with her dogs. Honors & Awards Best Theatrical Short nominee, Imagen Awards 2008 - Niña Quebrada Special Mention, Los Angeles Latino International Film Festival 2009 - Niña Quebrada Graduate/Fellow, PGA Power of Diversity Master Workshop 2019 non-WGA Female, Latinx, Disabled, 40+ BLOOD TIES (Detective Procedural) A wheelchair using detective and her charismatic detective step-brother with a turbulent past, tackle an international manhunt, pursuing an elusive murder suspect with no name. As they unravel complex cases, personal demons surface, testing bonds and redemption in the heart of a gripping, far-reaching investigation BEHIND THE HALO: TRAFFICKED (Detective Procedural) An LAPD detective in the Human Trafficking Unit solves cases by day and goes rogue at night where she stops at nothing to serve justice, while keeping another secret: she herself is a former victim of sex trafficking. IT'S THE SMALL BIG THINGS (Family Drama: This Is Us meets Firefly Lane) A misfit struggles to fit in during three pivotal stages of her life—as a misunderstood child, as a newly hired social worker, and as a determined wheelchair. Character-driven, Female-centric, Crime, Procedural, Coming-of-Age, Limited Series Female, Latinx, Disabled, 40+ Repped

< Back Daniel Gámez dannygamez@me.com 917-626-0031 Originally from Central America, Daniel writes dysfunctional tales of the Salvadorian-American experience, both as a former immigrant (who didn’t become naturalized until the age of seventeen) and now as a guilt-stricken American Citizen with far too many rights. Having fled from the Salvadorian War at the age of three, Daniel’s take on the Latinx point-of-view is rooted in trauma yet explored through humor. At the core of his writing—whether it be as an overly judgmental spectator of his ancestors or as an ethnically put-upon participant—is Daniel’s cautionary experiences in the never-ending assimilation process, a discipline that Daniel refers to as “A Rights of ‘Otherness’ Passage.” Daniel is also a proudly maladjusted homosexual, which comes with its own otherness stories. As a film instructor, Daniel has taught at AMVA, a vocational film school for teenagers and adults on the Autistic Spectrum. Currently, he runs the Cinema Arts Focus Program at Providence High School in Burbank. non-WGA Male, Latinx, LGBTQ+ LITTLE EL SALVADOR (One-hour dramedy pilot) A thirty-something Salvadorian-American Latino who, after getting dumped by his boyfriend for being too white-washed, attempts to win him back by moving into an ethnically populated apartment complex, all in an attempt to find the Latin roots he suppressed whilst over-assimilating in America. INJUSTICE FOR ALL (One-hour dramedy pilot) Set within the cutthroat world of high school mock-trials at a Law and Government Magnet program, underachieving MANNY (16) has just transferred in, determined to overcome immigrant invisibility by learning the justice system as he navigates coming-of-age as a pansexual, Latinx, illegal teen. “MOST LIKELY TO BE MURDERED” (Feature traumedy) Death-obsessed SANTIAGO (17) befriends a retiring serial-killer to help him commit suicide. However, Devon’s ‘murder-me’ plan takes an unexpected turn when the two outcasts set-out on a victim-prey love-affair that has the power to heal both their wounds. Character-driven, Queer, Romantic, Coming-of-Age, Dark, Bittersweet Male, Latinx, LGBTQ+ unrepped

< Back Aminah Hughes sheherself@aminah.com.au http://www.aminah.com.au/film Aminah grew up in Western Australia and spent eight years as a travelling creative in Europe before immigrating to the US. Her father was a journalist and conman who once interviewed Muhammad Ali. Her mother was a theatre actress, who chose not to raise her in the theatre, much to Aminah’s disappointment. She spent her youth as a classical flautist, poet, DJ, theatre actor and film reviewer before becoming a roots musician, music journalist, photographer and filmmaker. Her day jobs have included stints serving Justices at the Supreme Court library, as the Attorney General's research assistant at the Department of Justice, and as a covert writer of witness statements, working alongside state and federal police. The theme at the heart of her writing, from poetry to screenplays, is trauma recovery. In 2020, Aminah was accepted as a member of the Australian Directors Guild and in 2021, she moved to Los Angeles, where she has worked on features for Warner Bros, Universal, Disney, MGM, Lionsgate, Sony Pictures and Netflix, as a Scripting Editor in dubbing. Hailed by Musical Notes Global (New York) as “a true Renaissance woman” she has won local and international awards as a screenwriter, director, songwriter and musician. Aminah appears on fourteen albums and has recorded vocals on various productions, including highly anticipated game, Battlestar Galactica: Deadlock, based on the popular NBCUniversal Television Series. Honors and Awards Cinequest Screenwriting Competition , Current Semifinalist - WE CAN NEVER GO BACK - 2023-2024 (co-write with Dylan Kussman) Austin Film Festival Short Screenplay Competition , Semifinalist - THE RUBICON - 2019 ScreenCraft Short Screenplay Contest, Winner - THE RUBICON - 2018 non-WGA Female, 40+ THE INSIDE OF A SHELL Feature drama/magic realism After a troubling death, an aspiring artist must grapple with intrusive dissociative experiences in order to confront the trauma of her abusive past. WE CAN NEVER GO BACK Short drama In a cabin on the high desert, two desperate men seek refuge from a viral mass-extinction event. Forced to navigate their diametrically opposed plans for survival, they must overcome a lurking threat of violence if they are to emerge from the crisis with their humanity intact. THE RUBICON Short drama/magic realism An independent woman comes to the realization that she is in an abusive relationship, betokened by a ballerina in a painting. Character-driven, Female-centric, Thriller, Bittersweet, Magical Realism Female, 40+ unrepped

< Back Alexander Adell zander@magnesiumfilm.com Alex Creasia, Navigation Media Group https://www.imdb.com/name/nm0011809/ Coverfly Alexander Adell, represented by Alex Creasia at Navigation Media Group, writes Sci-Fi and Drama features and TV filled with tangled and passionate characters who need as much therapy as he does, who claw their way through deeply researched, unforgiving worlds. He won at the 2022 Austin Film Festival with his fiction podcast pilot script CELERITAS, which he produced into a global top ten sci-fi podcast that was nominated for a Webby and received seven Signal Awards including Best Writing and Best Scripted Fiction Podcast. A former Pixar Technical Director now based in Austin, TX, he was regularly pulled out of grade school to hitchhike through developing countries, get hypothermia on Mt. Everest, drink cow blood, and witness the occasional public cremation. From a young age he was drawn to science fiction, which felt more familiar than the Americans around him. Now a father of two, his writing attempts to channel the fear and awe of his childhood, and the broken decision-making of adults who are raised in chaos. Honors & Awards Austin Film Festival Fiction Podcast Award - Winner - CELERITAS - 2022 Signal Award for Best Scripted Fiction Podcast- Gold - CELERITAS - 2023 non-WGA Male, 40+ ANTLION (Drama Feature, Phantom Thread meets Saltburn) When a furniture maker is ruined by his wealthy clients, he lures them in with a mysterious luxury mattress and turns their methods of indoctrination against them. CELERITAS (Dark Sci-fi Scripted Podcast Series, The Revenant meets Interstellar) The first test of light speed flight hurls an astronaut deep into the future where he searches the planets for remnants of the human race, and the memory of his daughter. Character-driven, Science, Thriller, Sci-Fi, Psychological, Dark, Magical Realism Male, 40+ Repped

< Back Sofia Drummond-Moore sofiadrummondmoore@gmail.com Coverfly The Black List Sofia has a Bachelors Degree in Creative Writing from Knox College and a Masters Degree in Screenwriting from the American Film Institute, where she was an Academy Nicholl Fellowship Quarterfinalist and won the Writers Room Ready Award. Sofia primarily gets excited about drama, horror and thriller stories with a specific interest in strange historical curiosities, LGBTQ+ stories and those focused on female protagonists. She believes ghost stories can be some of the most important stories. Her prose writing has been published in New Delta Review, Pithead Chapel, Door Is A Jar Magazine, Cleaver Magazine and many others. She has recently been nominated for a Pushcart Prize. Sofia has worked as an intern at Conner Literary and Ghost House Pictures, as a writers assistant to a prominent author, and as an executive producer on a teen mystery series for streaming. She is currently a freelance writer for prose and film. Her short film THE LAST BIRTHDAY, about the Romanov family, was the Winner of Berlinale European Film Market Premier, nominee for the European Independent Film Awards, selection for The Still Voices International Film Festival, The Southside Film Festival and Mammoth Film Festival . When she's not writing Sofia has been a figure skater, a museum curator, fever specialist, tree devotee, nostalgia expert and gravestone attendee. Honors & Awards Winner, Big Break Final Draft Competition - ADA - 2024 Semi-Finalist, Austin Film Festival - RIKO'S CIRCLE - 2024 Finalist, ScreenCraft True Story & Public Domain Award - QUIET BODIES - 2023 non-WGA Female, LGBTQ+ QUIET BODIES (Historical Drama) Based on the true stories of ballerinas who burned to death on stage in the 1860s. Paris 1861, a young dancer joins the famous ballet only to be surrounded by persecution and danger, yet through the love of another dancer she finds hope and rebellion. CLY (Psychological thriller) A woman still grieving the sudden loss of her daughter lands the lead role of Clytemnestra in a retelling of the Greek tragedy Agamemnon only to be set on a path of violence she must escape from as the lines between reality and play blur. REGRESSION (Horror) A young student travels to Copenhagen to study the conservation of bog bodies but after trying past life regression therapy becomes convinced her body and her life are being taken over by a dangerous man from 280 BCE. Female-centric, Queer, Thriller, Psychological, Horror, Dark, International, Magical Realism Female, LGBTQ+ unrepped